Also, this reminds me of the poster for Dante’s Peak. How long until they look like the posters for The Swarm?
About
As Rachel Maddow put it, "The hills are alive with the sounds of conservatism. Global warming doesn‘t exist. The media is full of liberals. Somebody wants to take away your guns. And of course, the 'it' refrain of the moment for this particular CPAC is President Obama is a socialist." (22-Feb-09)Following
Also, this reminds me of the poster for Dante’s Peak. How long until they look like the posters for The Swarm?
NOM’s Ga(y)thering Storm isn’t the only storm we need to worry about
Source: Mailman
I don’t think American capability should be measured against the yardstick of what Canadians can’t do. The possibility of universal health care in the US shouldn’t be restricted by the (real or perceived) failures of other countries. Whatever happened to “anything you can do I can do better”? Or are we actually updating the refrain to “anything you can’t do I shouldn’t even bother trying”?
What a strange collision of current events: photos of protests in Iran set to Michael Jackson’s “Beat It”
Sexy Tina Milky Vodka may or may not be a real Russian Vodka, but the concept breast-like package is a show-stopper.
Really?
Instead of a vigil, whadday we memorializes Michael Jackson by coordinating groups to do Thriller all over the world? I’m not really all that into Michael Jackson, but it’d be a great excuse to unite the world in group dance.
“Rip it from his throat!” a woman yells. “Come on, you homosexual demon! You homosexual spirit, we call you out right now! Loose your grip, Lucifer!”
Disgusting.
Click for big.
My favorite: “What’s “Non Sequitur?” mean? Do I look it up in a Fag-to-English Dictionary?”
via ebompraquemgosta
PS: Hey, Tumblr, why won’t you let me reblog a link as a picture?
“What do you think?”
Joss Whedon
(What can I say, it bears repeating?)
Joss Whedon, Honoring Men On the Front Lines, May 15, 2006
Uh, the most courageous thing I’ve ever done is something called a press junket, um, uh, which is actually pretty courageous, believe me, because they ask you the same questions over and over and over. And over and over and over.
Um…I’ve done as many as 48 in a day—these interviews, and they really—they don’t come up with the fresh stuff. So, there is one question that I’ve been asked almost every time I’ve been interviewed, so I thought tonight, briefly, I would share with you one question, and a few of my responses, because when you’re asked something 500 times, you really start to think about the answer.
So now I will become a reporter. It’s going to be amazing—the transformation.
So, Joss, I—a reporter—would like to know, why do you always write these strong women characters?
I think it’s because of my mother. She really was an extraordinary, inspirational, tough, cool, sexy, funny woman. And that’s the kind of woman I’ve always surrounded myself with—it’s my friends—particularly my wife, who is not only smarter and stronger than I am, but occasionally—actually—taller too. But only sometimes—taller. And, uh, I think it all goes back to my mother.
So, why do you write these strong women characters?
Because of my father—
My father and my step-father had a lot do with it, because they prized wit and resolve in the women they were with—above all things, and they were among the rare men who understood that recognizing somebody else’s power does not diminish your own. When I created Buffy, I wanted to create a female icon but I also wanted to be very careful to surround her with men who not only had no problem with the idea of a female leader, but were in fact, engaged and even attracted to the idea. That came from my father and step-father, the men who created this man, who created those men, if you can follow that…
So, why do you create these strong…
how you say—the women…
[aside] I’m in Europe, now, so it’s a…it’s a very—it’s international—I don’t know where, though…
[reverts to accent that’s now more not-quite-Spanish]
…the strong women characters?
Well, because these stories give people strength, and I’ve heard it from a number of people, and I’ve felt it myself. And it’s not just women; it’s men. And I think there is something particular about a female protagonist that allows a man to identify with her— that opens up something that he might—an aspect of himself that he might be unable to express—hopes and desires that he might be uncomfortable expressing through a male identification figure, so it really crosses across both—and I think it really helps people, you know, in that way.
So, why do you create these strong women characters?
‘Cause they’re hot.
But…these strong women character—
WHY are you even ASKING me THIS?
[aside] This is like interview number 50 in a row.
Wh—How is it possible that this is even a question? Honestly? Seriously? Why are you ask—why did you write that down? Why do you—wha— why aren’t you asking a hundred other guys why they don’t write strong women characters?
I believe that what I’m doing should not be remarked upon, let alone honored, and there are other people doing it. But seriously, this question is ridiculous. And you’ve just got to stop.
So…
…Why do you write these strong women characters?
Because—equality is not a concept. It’s not something we should be striving for. It’s a necessity. Equality is like gravity. We need it to stand on this earth as men and women. And the misogyny that is in every culture is not a true part of the human condition. It is life out of balance, and that imbalance is sucking something out of the soul of every man and woman who is confronted with it.
We need equality. Kinda now.
So, why do you write these strong female characters?
Because you’re still asking me that question.
Transcript from here (with slight edits)